The National Justice Museum’s aim is to inspire people of all ages to become active citizens. They do this through fun and engaging activities, exhibitions and educational programmes relating to law and justice.
The Museum was undergoing a full refurbishment and we were asked
to produce the AV content throughout.
This large-scale project involved creating an introductory animation, designing and providing four touchscreen interactives, a number of films, two projections onto pillars within a courtroom, amongst others. The whole exhibition is aimed to provide an understanding of the law and justice system, with the hope to inspire people by their rights and responsibilities, to play an active role in society.
Hidden Histories is a new strand of the visitor experience at the National Trust’s Tatton House near Knutsford. Tours of the grand rooms and estate have always been popular, and now visitors taking the tours of the kitchens and servants quarters can explore the lives and working conditions of named servants in the 1900s, and a fascinating insight into the technology of the time.
A number of iPads, some mounted on stands and some held by the guides, bring to life interactive stories from the housekeeper, cook, maids and sculleryman, through their diaries, daily schedules and ledgers. We created the project as a number of modules which will be extended when further parts of ‘downstairs’ in the mansion are revealed.
We recently worked with Traces, an organisation that works with museums across Europe to embrace technology, and develop digital experiences within museum environments.
With 3 x 3 day cross-border workshops open to European museums, we created an animation to attract and engage with workshop participants across Europe. The aim of the workshops is to transfer knowledge and educate museum professionals, together with experts and students, in the deployment of innovative digital technologies to communicate and engage with new or existing audiences.
The three workshops are each at different locations across Europe, covering digital engagement and strategy (Denmark), digital storytelling (Belgium) & Innovative digital technologies (Netherlands).
In 2015 Warrington were bottom of the RSA’s culture list so attempting to make it the UK’s City of Culture was bold to say the least. With Fuzzy Duck’s roots being in Warrington and a few Ducks living there we felt that we could offer some support.
There were lots of nay-sayers: “Warrington for City of Culture? It’s not a City and there’s no Culture!”
But seeing as our brief was to produce some media aimed at the people of Warrington we were given free reign to use as many in-jokes and parochialisms as we wished. And so we began building key places from around the town from the Golden Gates to the Mr Smiths, referencing everything from Greenalls Bitter to Walking Day.
Values and Ethics are central to everything the Cooperative Bank stands for, and their customer-led Ethical Policy, defines what this means for them as a Bank.
The Bank is starting a series of employee engagement sessions, to help colleagues understand the importance of the Ethical Policy, and how it helps differentiate the company from competition.
Fuzzy Duck were asked to help produce content for the sessions, including an interactive walkthrough, that will reinforce key messages in an easy to interpret story, and remind the user all about the Bank’s continued efforts to be ethical. Printed collateral may also be required as a takeaway from the session.
Along the rocky peninsula/promontory overlooking Tremadog Bay sits the ruins of Criccieth Castle. Perched on a headland with the North Welsh Sea at its feet, the castle is home to picturesque views and an intimidating vantage point to would-be attackers – Perhaps explaining why it changed hands between the Welsh Princes and English Monarchs so much throughout the years in its brief life as a stronghold.
To help people learn about the lives of those around the area during the English and Welsh conflict, Cadw and Headland asked the Ducks to imagine a day in the life of the Welsh Prince as he visits Criccieth Castle. This was imagined as 3 films set throughout the day each featuring an animated character talking directly to the viewer who is cast as the Prince.
The films are shown inside an imagined Llys (court) designed by our friends at Headland Design situated in the refurbished visitor centre, creating an immersive and atmospheric experience where the visitor selects the film they want to watch by touching an object on the table.
Along with these films we created an aerial film, including CGI of how the castle would have looked, which will stay with you as you venture up the hill to take in the scenic sights Criccieth offers.
“She waited for the last spirit to return to her
empty grave. When she saw the ghost approach
she stood upon the tomb with staff in hand and declared…
‘I cannot let you pass!’”
Okay, you had us at empty grave. This is a brief passage from the legend of how Brahan Seer gained the gift of second site. Registered charity, High Life Highland asked us to animate this and several other tales from a suite of legends for their Inverness Castle tour.
Each legend depicts visions Brahan had seen coming, and eventually his death, which we’re pretty sure he did not.
The Atkinson Museum in Southport has a large range of ancient Egyptian artefacts thanks to a wealthy Victorian lady named Anne Goodison. Anne Goodison was from Bootle and was fascinated with Egyptology. She visited Egypt twice in the late 1880s and brought back a wide selection of artefacts which were housed in a ‘museum room’ in her family home near Crosby.
After Anne’s death in 1906, her husband had no interest in the collection and so donated it to the Bootle Museum in 1908. After the museum’s closure in 1974, the collection was taken to Southport for safe storage. Now for the first time in 40 years, items from the collection are now back on display at The Atkinson.
Many people know they like coffee, any idea what it takes to get this perfect blend in to your cup? With screens mounted within the coffee machine, Rijo decided to neutralise this feature by showing the journey the coffee bean has taken to be in your cup.
The animation took the key facts and processes from the Rijo42 story. Taking the viewer from the location of the plant, through the way the berry is grown and harvested, into roasting, and ultimately arriving into the cup you are stood in-front of whilst the coffee is prepared.
“All you want to flush is Paper, Pee or Poo!”
UU: “…we want to stop people flushing anything else down the toilet and to target the film towards children and through the kids, their parents.”
Ducks: “Can we write a song with lots of toilet humour and fart noises?”
Ducks: “We’re in!”
United Utilities spend millions of pounds every year clearing drains, sewers and peoples gardens due to household waste being flushed down the toilet instead of disposed of in the bin. Wipes, towels, false teeth and mobile phones have all been found stuck in drains and at treatment works.
We created, illustrated and animated the characters and then wrote a catchy little ditty to communicate initially with children and then filter through to their parents.
How do you engage with construction staff about the safety risks when resurfacing the busiest airports in the UK?
2016 saw the national trust take part in celebrating 100 years since the birth of Roald Dahl. Throughout the year they partook in a number of activities which took the theme from some of the stories that he told in his books.
Tatton Park took families on a scare fest around the haunted Old Hall for Halloween. Children had to find all the ingredients for Formula 86 Delayed Action Mouse-Maker from Roald Dahl’s, The Witches.
In a park full of Roald Dahl witchy mischief, we used technology that tracked facial movements turning children in to mice when they peered into a magic mirror!
The house at Lyme Park was transformed for Christmas into a rich, sensory Edwardian Christmas.
This Christmas experience was inspired by the book ‘Treasure on Earth’; an evocative & nostalgic text written by Phyllis Legh & first published in 1952. This text tells the story of Phyllis’s experiences of ‘Vyne’ (Lyme) at Christmas in 1906. The text glows with love & warmth, and gives wonderful descriptions of how the house looked and felt at Christmas and New Year, “The door of the saloon opened on a scene of almost unreal loveliness”
We wanted to challenge ourselves with a cost effective approach, that would allow people to be surprised with the magic of Christmas while giving the AV a light touch feel to the overall experience.
As part of United Utilities’ programme to link West Cumbria via a major new pipeline from Thirlmere Waters, Fuzzy Duck developed a website and film campaign to engage with stakeholders and the local public; outlining the benefits and explaining the impacts the seven year project has on the community and the environment.
The film campaign focuses on the work United Utilities has throughout its history in Cumbria. From the groundbreaking achievement of reservoir and aqueduct construction in the Victorian era to the future aqueduct being built from Thirlmere Reservoir to West Cumbria, the campaign aims to show customers how tirelessly United Utilities works to keep water supply, clean and constant.
The site was designed and built in an editable format, so the team could adapt and evolve the content as the programme developed.